By Cristina Campo

Cristina Campo said of herself that she “wrote little and would like to have written less.” Most of that “little” is collected in the wondrous pages of this “delicate textbook of perfection,” which holds some of the most precise, yet radiantly strange essays you will ever read. Her texts move from epiphany to vision in prose of almost supernatural clarity. If you treasure the writings of Simone Weil, or the works of Borges, Calasso, Marcel Schwob, Emily Dickinson, and Marcel Proust, you will want to stay with Cristina Campo for the rest of your life. — Herbert Pföstl, Book Consultant for the New Museum Store.

Christina Campo published only two short collections of essays in her lifetime: Fairy Tale and Mystery (1962) and The Flute and the Carpet (1971). The Unforgivable and Other Writings brings together both volumes, along with a selection of essays on literature and an autobiographical short story, offering readers of English the first full-length portrait of a writer who has long been admired in Italy and abroad.

Campo’s subjects range from the canonical to the esoteric. She writes stylishly about Shakespeare and Doctor Zhivago, as well as flying carpets, sprezzatura, and the theophagic origins of the Latin liturgy. Her passion for Marianne Moore and T. S. Eliot makes her a modernist, but like these American counterparts she is a modernist preoccupied by the deep past and by her desire to escape from personality through sustained attention to form. For Campo, writing was a spiritual discipline, and her sentences are at once wonderfully and wildly alive and serenely self-effacing. “I have written little,” she once said, “and would like to have written less.”

2024; paperback; 5" x 8"; 288 pages; ISBN: 9781681378022.

Art Criticism & Theory